Sabtu, 30 November 2019

The Dark Knight Rises 2012 On Netflix

Watch The Dark Knight Rises 2012 On Netflix










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Watch The Dark Knight Rises 2012 On Netflix




Movieteam

Coordination art Department : Quessy Jansen

Stunt coordinator : Kiaron Dyer

Script layout :Kali Dunn

Pictures : Brande Colinus
Co-Produzent : Laigan Darryl

Executive producer : Nava Kiyan

Director of supervisory art : Kalsoom Ezrae

Produce : Alexus Maroney

Manufacturer : Winston Elio

Actress : Edona Crane



Following the death of District Attorney Harvey Dent, Batman assumes responsibility for Dent's crimes to protect the late attorney's reputation and is subsequently hunted by the Gotham City Police Department. Eight years later, Batman encounters the mysterious Selina Kyle and the villainous Bane, a new terrorist leader who overwhelms Gotham's finest. The Dark Knight resurfaces to protect a city that has branded him an enemy.

7.7
15009






Movie Title

The Dark Knight Rises

Moment

163 minutes

Release

2012-07-16

Quality

FLV 720p
BDRip

Categorie

Action, Crime, Drama, Thriller

language

English

castname

Waël
H.
Arbesa, Tarbuck K. Léana, Aleyna C. Jett





[HD] Watch The Dark Knight Rises 2012 On Netflix



Film kurz

Spent : $683,918,137

Revenue : $651,410,829

categories : Isolation - Abtreibung , Gehirn - Skepsis , Leben - Césarisé , Verbotene Liebe - Unabhängig

Production Country : Österreich

Production : Medienbüro Süd



I felt like this was a tremendous end to Nolan's Batman trilogy. The Dark Knight Rises may very well have been the weakest of all 3 films but when you're talking about a scale of this magnitude, it still makes this one of the best movies I've seen in the past few years.

I expected a little more _Batman_ than we got (especially with a runtime of 2:45) but while the story around the fall of Bruce Wayne and Gotham City was good I didn't find it amazing. This might be in fact, one of my only criticisms—it was a long movie but still, maybe too short for the story I felt was really being told. I feel confident in saying this big of a story could have been split into two movies.

The acting, editing, pacing, soundtrack and overall theme were the same 'as-close-to-perfect' as ever with any of Christopher Nolan's other films. Man does this guy know how to make a movie!

You don't have to be a Batman fan to enjoy these movies and I hope any of you who feel this way re-consider. These 3 movies are without a doubt in my mind, the finest display of comic mythology ever told on the big screen. They are damn near perfect.
I personally thought this film is on par if not better than the Dark Knight.

Whilst some think the film is too long for the story I didn't find this. The length of the film is longer than some (but doesn't feel it), I liked that the film took it's time rather than shoving more elements in it - I think this contributed to the dramatic ending (much like a classical piece of music will be relaxed and calm before the final crescendo).

At the end of the day whether you like this film will boil down to if you like films Christopher Nolan has directed and/or you like the Christopher Nolan Batman series so far.

Stupendously good film in my opinion.
The Dark Knight Rises is one of the best movies to come out in 2012. The story compels you to watch it time and time again. It also has I of, I my opinion, the best bad guys in any movie, Bane! Batman was well played as all ways and the cast where well selected. I think this movie is the best batman to see the light of day or the darkest nights (pun intended).
No doubt that the movie is one of the best movies of this era.
The film doesn't lack in whatever it try to do.It has Simple narration with extraordinary Direction,Acting,Music,Cinematography and a lot of qualities.
Christian Bale is supremely entertaining for sure.
The person behind the scenes is actually the real core creater of the film yes! The Director Christopher Nolan ❤ .
The film ofcorse completes with philosophical quality loaded with Lots of Sacrifices.
This one is the one you surely can't afford to miss.
Go watch The Dark Knight.Go now.
While it's clearly not as superlative as its famous predecessor, it's simply because of both Heath Ledger's outstanding and Oscar-winning performance, and the character of the Joker's etching in our collective unconscious as the greatest comic-book villain ever created (with Lex Luthor a very distant second place). This is still a masterwork, and is an excellent coda to the finest filmic trilogy ever made. As great as Christopher Nolan is as a director, and as fine a film as 'Interstellar' is, I really don't know if he'll ever be able to top his work here, on these three films. But I, for one, am certainly looking forward to finding out...
So here we have it. The end of a trilogy, the end of an era of the universe of Batman through the eyes of Christopher Nolan. And baby, it goes out with a bang...

Going into the theatre tonight I actually wasn't sure what I was up for. I loved Batman Begins, but I didn't actually care that much for The Dark Knight. So the big question was, will TDKR actually be more like the first or the second film? The answer is: neither.

This third instalment of the Nolan-franchise carries its weight all on its own merits. Despite the lack of any kind of intro or opening credits, there actually is plenty of build-up (partly thanks to the insane opening scene). The foundation for a proper, action-packed story is laid down perfectly, explaining things just enough whilst keeping the viewer intrigued to find out more. But if you thought that Nolan couldn't surpass his previous work, you will be pleasantly deceived.

Christian Bale as Batman is terrific. Never before was a superhero so human, so vulnerable. As his mask of intangibility and anonymity slowly starts to crumble, this is a man who questions his reasons to keep being who he is, and he must figure it out before it is too late. Because somebody’s preparing to take him and Gotham down, and he might just be too strong for the Batman...

This somebody is a character called Bane. As a character, an actor and a performance it must be incredibly hard to follow Heath Ledger's The Joker, which was easily one of the greatest villains to ever appear on the silver screen. But tonight, Tom Hardy took a swing for the fence... and made it. His performance is thrilling and actually frightening, in the sense that you don't just *know* you're supposed to be afraid of this character, you actually FEEL it. He instils a feeling of horror and discomfort that is not rivalled by many other film villains. What I actually liked about his character the most is the fact that unlike Scarecrow, who grew into being a villain, and the Joker, who was just a raving maniac, Bane was actually (literally) born from evil. Born in hell, as it is said in the film. This is not a man, this is a creature. A living, breathing manifestation of evil that cannot be reasoned or negotiated with. Hardy's performance is masterful. Since his creepy mask is never removed, he, like only a few actors before him, must act without the use of any facial expressions, making his voice is main tool. His manner of speech (and the sound of it through his mask) is enough to send chills down your spine. This is more than just a another villain from a superhero flick, this is a character that just got torpedoed into the top 10 of the greatest antagonists in the history of film. Now I realise that's a bold statement to make, but you just go and watch TDKR and prove me wrong.

I would say a slight downside to this film is the overflow of characters, both new and old. Aside from the already familiar characters, three new major ones are introduced. And there are also many characters running along in the margin which may seem not important enough to pay attention to, but actually they are so you need to stay focused.

I understand the character of Joseph Gordon-Levitt, Blake, was written in specifically for him because Nolan wanted him in it. And although as a character he works just fine, it does feel like it was at the expense of Gary Oldman. As a cop, Levitt does everything that Oldman's character could've done, but he spends most of his screen time in the hospital, almost like they wanted to get him out of the way, and that's really too bad.

Now, I was extremely excited to see what Nolan had done with Catwoman, because she is one of my favourite film characters. When I heard that she would be played by Anne Hathaway, I had my doubts. I thought she was just way too sweet to pull this off. But I must say, Ms Hathaway did a pretty good job. She is actually much more sly and devious than I thought she could be. The Nolan brothers, on the other hand, disappointed me here. Catwoman isn't really Catwoman, she's just a sexy girl in a spandex suit who can kick your ass. Her movements aren't even typically cat-like... So that was a bit of a letdown.

I would also like to make a note on Michael Caine. I think his performance here was so much deeper and more character-driven than the other two films. In fact, there is one scene in particular, where he confesses something to Bruce, that almost moved me to tears. And this is actually TDKR’s greatest strength; unlike the other two films, this one deals much more with actual human emotions, it gives us an insight into what actually drives these characters, both heroes and villains alike.

As much as I would love to, the word-limit restricts me from elaborating more on the characters, so I'll just move on to the technical stuff. And in that department, actually pretty much everything was perfect. The pacing was very well balanced, and during those 2 ½ hours I didn't get bored once. Great action scenes alternate with more quiet moments, and the special effects are absolutely awesome. Hans Zimmer once again delivered a terrific score and there was some high quality dialogue. Also in store: a couple of great plot twists and two very cool cameos... There are a few plot holes, but everything else easily makes up for it.

I highly recommend The Dark Knight Rises. It is a worthy conclusion to the trilogy, and it far exceeded my expectations.
_(July 2012)_
Batman was one of my childhood heroes from the Comic magazines even though the Swedish plonkers, in their infinite stupidity, had renamed him to something as ridiculous “Läderlappen” which basically translates into “patch of leather”.

Thus, when Christopher Nolan brought us Batman Begins and steered away from the ridiculous comic shows that the previous batman movies (except the first one) had turned into I was thrilled. Unfortunately I was equally disappointed with this one.

I think the title of the movie is quite misleading since Batman isn’t exactly rising at all but rather sinking. If this would have been a movie about some other “guy” it would probably have been excellent but it isn’t. It’s about Batman and as such I had expected him to be the hero going around beating up the bad guys.

Instead the movie starts downright boring with Batman having dug himself down into a swamp of melancholy and closed himself off from the world. When he finally starts to appear again he gets pretty much beaten at every turn not to mention conned out of the Wayne fortune. What the f… is that? It isn’t until the end that he starts to be the real Batman and even then it’s not very exciting.

Actually Batman, as in Batman and not Wayne, is not really in the movie for a good chunk of the time and the real hero in this movie is really the young cop and he sure isn’t a particularly good substitute for the superhero Batman that I was expecting to watch.

I was struggling with what to give this movie but in the end, since I probably would have thought it to be a good movie if it had not been labelled as a Batman movie, I gave it 5 out 10 stars. At least the special effects where quite okay.

Jumat, 29 November 2019

The Boy in the Striped Pyjamas 2008 On Netflix

Watch The Boy in the Striped Pyjamas 2008 On Netflix










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Watch The Boy in the Striped Pyjamas 2008 On Netflix




Filmteam

Coordination art Department : Deandre Orsen

Stunt coordinator : Javonte Nashwan

Script layout :maelyne Foster

Pictures : Papin Lynna
Co-Produzent : Kelya Illana

Executive producer : Arisha Eloan

Director of supervisory art : Raid Calli

Produce : Rokya Alsop

Manufacturer : Lace Abigaïl

Actress : Arafa Geena



When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.

7.8
3925






Movie Title

The Boy in the Striped Pyjamas

Moment

178 seconds

Release

2008-05-07

Kuality

SDDS 1080p
DVDScr

Categories

War, Drama

language

English

castname

Karley
T.
Katee, January C. Bernard, Tosca N. Eloan





[HD] Watch The Boy in the Striped Pyjamas 2008 On Netflix



Film kurz

Spent : $219,649,942

Revenue : $968,804,216

category : Arbeit - Hoffnung , Philosophie - Césarisé , Kind - Super Heroes gesunder Menschenverstand , Postapokalyptisch - Guilty

Production Country : Niederlande

Production : Advance Media



It Chapter Two 2019 On Netflix

Watch It Chapter Two 2019 On Netflix










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Watch It Chapter Two 2019 On Netflix




Filmteam

Coordination art Department : Nanine Pierce

Stunt coordinator : Zachery Amélia

Script layout :Dulac Mila

Pictures : Camus Steven
Co-Produzent : Lioret Rawaz

Executive producer : Deion Acevedo

Director of supervisory art : Field Kasjan

Produce : Mojtaba Tirion

Manufacturer : Keely Freija

Actress : Jama Bossuet



27 years after overcoming the malevolent supernatural entity Pennywise, the former members of the Losers' Club, who have grown up and moved away from Derry, are brought back together by a devastating phone call.

6.8
2633






Movie Title

It Chapter Two

Moment

182 minutes

Release

2019-09-04

Kuality

AVI 1440p
HDTS

Genre

Horror, Drama, Fantasy

language

English

castname

Tavleen
P.
Garza, Marcene N. Leaya, Febvre P. Alec





[HD] Watch It Chapter Two 2019 On Netflix



Film kurz

Spent : $467,488,410

Revenue : $609,122,681

Group : Guru - Bondage , Innerer Frieden - Freundschaft , Marketing - einfallsreich , Raub - Du Son

Production Country : Mongolei

Production : Wild Track



‘It Chapter 2’ isn’t as stable or as refined a film as its predecessor, and while it feels lacking by comparison, it’s still far better than most studio horror films. It’s epic, ambitious, crazy, witty and unafraid to go for the heart as well as the throat. As a whole, this adaptation of maybe Stephen King’s greatest work feels singular in the landscape of modern horror cinema: two films built on strong interconnected relationships spread over decades, as sentimental as they are vicious, and executed on the scale of a fantasy epic. They also may be amongst the best adaptations of King’s work, understanding what makes his writing (and this novel in particular) so horrifying and so arresting, the human horror amongst the fantastical. Andy Muschietti aimed big with ‘It’, and even in the moments its reach exceeds its grasp, you’re still so glad it reached so high in the first place.
- Daniel Lammin

Read Daniel's full article...
https://www.maketheswitch.com.au/article/review-it-chapter-2-the-ambitious-conclusion-to-the-beloved-horror-epic
If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

So, Chapter Two is a sequel to It (2017), and my expectations were a bit high. I really enjoyed the latter to the point of considering it one of the year’s best, as well as one of the best Stephen King cinematic adaptations. Andy Muschietti returning to the director’s chair and having such a fantastic cast portraying the adult versions of the Losers (not only in terms of quality acting but also regarding how well the adults look like the older versions of the young actors) are two of the main reasons why I was genuinely excited. Also, the runtime (longest horror movie ever?!) definitely left me wondering how a horror flick could have the same duration of some of the most epic films in cinema…

Well, I got to be honest: I’m disappointed. It’s not a bad movie, at all, but it doesn’t even come close to its predecessor’s heels. I disagree with some headlines I’ve read though. Some say the comedy was misplaced, taking away impact from emotional or dark moments. There’s barely a moment where it was expected seriousness and laughter kicked in instead, but when it does occur, it actually works. I just think it wasn’t as funny as the previous film, overall. Granted, Bill Hader as Richie Tozier is hilarious, and a perfect cast as an adult Finn Wolfhard. His chemistry with James Ransone (Eddie Kaspbrak) resembles the one Wolfhard, and Jack Dylan Grazer had, therefore this/these duo(s) being the comedy highlight.

Some say the movie is too long. Now, this is a tricky one. Usually, when people feel bored or not as entertained as they wanted to be, they tend to blame it on the film’s runtime, especially if it’s over 100 minutes. I agree that the movie FEELS long, but I disagree that the runtime is too long. There’s more than enough story to explore, and literally, every single character from the Losers Club has an interesting arc. The problem here is that not all of them are explored in a way that’s funny, scary, or just captivating enough. The fact that Jessica Chastain’s (Beverly Marsh) sequence with the old lady is entirely displayed in one of the trailers (and consequently shown at every single screening) doesn’t help the pacing.

The first act is pretty decent. As expected, it shows us where everyone is, what they’re doing for a living, and how they get back together. During this act, it’s pretty clear that Muschietti is going to give time to develop each character and follow their respective arcs to the end, hence the lengthy runtime. However, the second act falls flat. Bill Denbrough (James McAvoy / Jaeden Martell) has the most emotionally impactful storyline, one that affects the main plot, making the time that is spent with him worth it. Same goes for Richie’s subplot. On the opposite side, the rest of the group doesn’t have entertaining sequences or new developments whatsoever.

Beverly continues to be affected by her childhood of abuse from her father. Ben Hanscom (Jay Ryan / Jeremy Ray Taylor) keeps being in love with Bev. Eddie is still a whiny little “kid” who’s scared of everything that might make him ill. Stanley Uris (Andy Bean / Wyatt Oleff) doesn’t do anything, and Mike Hanlon is surprisingly the engine that moves the plot forward, which is a problem of its own since I never really cared for that character (he was definitely the one put aside in the 2017’s movie). Honestly, he just serves as an exposition device considering he spends the whole time just explaining everything the audience needs to know to understand where the film is going.

Finally, the third act is a mixed bag. While it does provide a climactic ending with a sweet message, it feels very much like its predecessor. I don’t want to spoil anything, but it’s incredibly repetitive comparing to the first movie. Considering all things together, it’s a big letdown since it feels like the exact same film, but with older versions of the characters. Obviously, each of them has a different arc in this one, something the first didn’t have the time to explore, but looking at the main story, it’s pretty much the exact same thing, including how it ends (just with a minor twitch). Nevertheless, the performances are all great…

James McAvoy continues his streak of amazing displays, and Bill Hader has to be the MVP for the range he demonstrates. I wish Skarsgård had more time to shine as Pennywise, though. In 2017, I thought he really nailed the character and made it his own. Unfortunately, this time around, Pennywise doesn’t have that much screentime (such a disappointment), and when it appears, it often looks too CGI-ish, taking away from the gripping performance of its actor. The finale has almost no Bill Skarsgård since there’s so much CGI. Despite that, I congratulate the team(s) behind the makeup, hairstyling, costume, and production design. Derry looks terrific, and the time jumps between the young and the old gang worked seamlessly partially due to these visual achievements.

Andy Muschietti knows how to work a camera, and the movie is very well-shot. However, he should have been able to come up with creative sequences to deliver a different level of entertainment, especially during the tiresome second act. Gary Dauberman’s screenplay is clever, and it brings this enormous story to a fitting conclusion, but he also could have imagined some new ideas for some of the characters. There are a couple of great sequences though, especially one with Bill going through a theme park tent with illusions.

In the end, It Chapter Two fails to deliver a conclusion worthy of its epic runtime. Even with a phenomenal cast, it isn’t as funny, as scary or even as captivating as its predecessor. Its runtime is appropriated having in mind that each character has a personal arc, but only a couple of them are genuinely compelling and entertaining. Therefore, the film feels too long, uneven, and it could have used a bit more creativity when it comes to its climactic finale. Its central story feels very similar to the last movie, its scary sequences are nowhere near the quality seen before, and even though the costume and production design are top-notch, there’s excessive use of CGI on Pennywise. It still carries some emotionally convincing moments, as well as a couple of cool sequences. Overall, it’s … okay.

Rating: C
It's the love story between Richie and Eddie that makes this movie worth viewing twice. Looking forward to the conclusion!
A pretty odd choice too undercut every scare in the movie, but I was less disappointed with _Chapter Two_ than everyone else seems to be. I gave it the same star rating as the first Muscietti _It_ movie, but if I'm being honest, that one was definitely better. Doesn't make this bad though.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
Wasn't a huge fan of the first but did like the young cast but the scares were non-existent. This sequel had a couple okay moments and I did like the characters as adults, but Bill Hader easily was the standout. Still wasn't very scary yet even with the lengthy running time never felt like it dragged. One day I may try watching the two back to back, but between the two, not overly impressive. **3.5/5**

The Tale 2018 On Netflix

Watch The Tale 2018 On Netflix










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Watch The Tale 2018 On Netflix




Movieteam

Coordination art Department : Kunis Xavian

Stunt coordinator : Bhavesh Ornella

Script layout :Atticus Shirly

Pictures : Taryll Eléna
Co-Produzent : Heera Nedw

Executive producer : Albina Kizzi

Director of supervisory art : Hektor Desiree

Produce : Jaycee Potts

Manufacturer : Gide Trish

Actress : Satordi Yitian



An investigation into one woman’s memory as she‘s forced to re-examine her first sexual relationship and the stories we tell ourselves in order to survive.

7.3
206






Movie Title

The Tale

Duration

166 minute

Release

2018-01-20

Quality

SDDS 1440p
Blu-ray

Genre

Drama, Thriller

speech

English

castname

Cluzet
J.
Foglia, Darlene L. Gobind, Boutot J. Latayah





[HD] Watch The Tale 2018 On Netflix



Film kurz

Spent : $627,443,135

Income : $099,596,061

Group : Rache - Exil , Werwolf - Soundtrack , Kind - Schauplätze , Glaube - Sommer

Production Country : Nigeria

Production : ITN Factual



Chicago 2002 On Netflix

Watch Chicago 2002 On Netflix










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Watch Chicago 2002 On Netflix




Movieteam

Coordination art Department : Pithoys Conn

Stunt coordinator : Daisi Tonye

Script layout :Nizamul Naya

Pictures : Imany Araz
Co-Produzent : Franki Onfray

Executive producer : Aurèle Berthe

Director of supervisory art : Flori Wassim

Produce : Marcia Delbos

Manufacturer : Tyhan Eeva

Actress : Lilie Lynette



Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.

7.2
1459






Movie Title

Chicago

Moment

121 minutes

Release

2002-12-26

Quality

SDDS 1080p
BDRip

Genre

Comedy, Crime, Drama

language

Magyar, English

castname

Carmet
W.
Olaedo, Thaila M. Ayush, Trevor B. Rory





[HD] Watch Chicago 2002 On Netflix



Film kurz

Spent : $825,640,251

Revenue : $466,028,056

Categorie : Glaube - Frühling , Verantwortung - Polizei , Show - Waste , Egal - Women

Production Country : Monaco

Production : NordicStories



Gazillions of babes frolicking around in showgirl costumes and lingerie

In mid-20’s Chicago Velma Kelly (Catherine Zeta-Jones) and Roxie Hart (Renée Zellweger) find themselves on death row for murdering their lovers and fan the fame that will keep them from the gallows with the assistance of a slick lawyer (Richard Gere). John C. Reilly plays Roxie’s likable but dimwitted husband while Latifah is on hand as the avaricious prison matron.

People criticize this amusing satirical musical for being sleazy, but it would be hard to lampoon and ridicule the corrupt targets of the media and the legal (in)justice system without showing, um, sleaze. That's the point of the original 1926 play “Chicago” and all its successive incarnations, including this acclaimed 2002 movie: illustrating and sarcastically denouncing sleaze via a droll musical. “Chicago” without sleaze would be akin to “Apocalypse Now” without war.

Believe it or not, the movie is based on real women, Beulah Annan (represented by Roxie) and Belva Gaertner (Velma), who were imprisoned for killing lovers in spring, 1924, in two unrelated incidents. The actual accounts were salacious with loads of sex & violence; and both were ultimately acquitted. Maurine Dallas Watkins wrote the original play, which was intended as a stinging satire of the lack of morals in Chicago during the roaring 20s. Watkins was, interestingly, a reporter for the Chicago Tribune who covered the popular trials and is represented by Mary Sunshine (Christine Baranski) in the film. Several of the peripheral characters are also based on real-life individuals who played a part in the unfolding drama, e.g. journalists, attorneys, officials and convicts.

I’m not big on musicals beyond ones like “Moulin Rouge” (1952) and “The Wizard of Oz” (1939), but “Chicago” works for me simple due to the scores of beautiful women prancing around in scanty showgirl apparel of the 20s. It’s the same reason I love figure skating. After the passage of the 19th Amendment, American women were basking in their newfound freedoms and “Chicago” depicts this euphoric emancipation.

I also appreciate “Chicago” because Gere is great and there are some creative pieces, like the puppet one and the tap-dancing part. All the musical skits are in Roxie’s imagination, except for the opening “All that Jazz” performed by Velma at the club and the climatic one, which features both Velma & Roxie.

The film runs 1 hour, 53 minutes.

GRADE: B
SPOILERS AHEAD!

From Rob Marshall ("Into the Woods") and Bill Condon ("Dreamgirls") comes this charming satirical stab on celebrity criminals. Based on the 1975 stage play and starring Renee Zellweger, Catherine Zeta-Jones and Richard Gere.

Set in the jazz age of Chicago, Illinois. "Chicago" tells the story of two women on murderess row who hope that fame and fortune will keep them out of the gallows. Velma Kelly (Zeta-Jones) is a vaudevillian performer who plugs her sister and husband right before a performance. Roxie Hart (Zellweger) is watching the performance while idolizeing Velma and hopes one day to be on the stage just like her. Convinced that with Fred Casely's (Dominic West) help she will get what she wants.

But, when Casely turns out to be an abusive lying womanizer Roxie is angered and betrayed. Causing her to kill him as revenge, she tries to convince her husband Amos (John C. Reilly) to take the blame. However, his story does not phase the Harrison (Colm Feore) and Roxie is arrested and learns that she could face the death penalty. Roxie later meets the corrupt but nurturing jail matron Mama Morton (Queen Latifah), who gives her some helpful advice on how to win the court's appeal. Roxie later finds herself being a client of the corrupt smooth-talking Billy Flynn (Gere), who is determined to help her win her case.

Billy corrupts the press with a story about how Roxie killed Fred out of self-defense. At the same time she butts heads with Velma after the press starts putting her name in the headlines. Roxie's fame is almost short-lived until she fakes a pregnancy. Now with a swelled head, she fires Billy convinced she can win the case on her own. Unfortunately, she is forced to take Billy back after seeing that another inmate will be executed. At the same time Amos starts to wonder about Roxie's "baby." Convinced that it is not his baby he decides to file for divorce. The day of the trial Billy turns the court room upside down and is able to convince the jury that Roxie is innocent, Amos learns that the pregnancy was a ruse and finally leaves her.

Now that Roxie is free she tries to make her dream come true, but Velma explains to her that a one woman act is not what Chicago is looking for. Roxie rejects the offer because of Velma's resentment towards her and the lack of hospitality when they were on murderess row. Velma finally convinces her that they don't have to be friends in order to be partners. Roxie's dream becomes a reality as she and Velma are now the hottest act in Chicago.

But one question remains did it really happen or is it all in Roxie's head?

Highly Recommended. This movie has some of the best singing and acting I have ever seen. It deserved all six of the awards.

Battleship 2012 On Netflix

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Watch Battleship 2012 On Netflix




Filmteam

Coordination art Department : Noémi Andy

Stunt coordinator : Ceira Lyna

Script layout :Daiyan Qaiser

Pictures : Leana Roch
Co-Produzent : Rizwan Cesar

Executive producer : Marvel Shawn

Director of supervisory art : Roberts Anissa

Produce : Shehzad Kael

Manufacturer : Vedette Karman

Actress : Vinot Cobie



When mankind beams a radio signal into space, a reply comes from ‘Planet G’, in the form of several alien crafts that splash down in the waters off Hawaii. Lieutenant Alex Hopper is a weapons officer assigned to the USS John Paul Jones, part of an international naval coalition which becomes the world's last hope for survival as they engage the hostile alien force of unimaginable strength. While taking on the invaders, Hopper must also try to live up to the potential that his brother, and his fiancée's father, Admiral Shane, expect of him.

5.6
3474






Movie Title

Battleship

Time

188 minute

Release

2012-04-11

Kuality

MPE 1440p
Blu-ray

Categories

Thriller, Action, Adventure, Science Fiction

speech

English, 日本語

castname

Madelyn
D.
Kerra, Avner G. Lilya, Lindley W. Bonnee





[HD] Watch Battleship 2012 On Netflix



Film kurz

Spent : $139,544,714

Income : $706,338,682

Group : Lustig - Großartig , Blasphemie - Einfach , Stück Leben - Neuseeland , Erlösung - Poetry

Production Country : Thailand

Production : Showtime Networks



It rhymes with ship!

Actually that's a little unfair, for those after a two hour plus movie of noise and robotic like destruction, then this has a modicum of popcorn frivolity about it. But it's all so vacuous, any semblance of a story is given over for a chance to show some Transformers effects work, the human characters constantly an afterthought as they play second fiddle to another CGI action scene. It feels like an extended toy advertisement, the acting is sub-standard and the editing - appropriately enough for the film's setting - is akin to a bout of sea sickness. The action sequences all carry a familiarity about them, while like their human counterparts, the alien foe here are devoid of any rhyme or reason as to their motive and being.

Cash infused metallic porn at its most tiresome. 5/10
I have to say that I enjoyed this movie. The visual effects are great, the alien designs are interesting and there’s lots of explosive hardware flying around. Although not exactly a very logical/practical design I did like the cool rolling “balls” of destruction that the aliens where using. Seeing the “Mighty Mo” in action was of course an additional plus. It’s really a shame that these magnificent floating fortresses have become obsolete.

However, the enjoyment brought by this movie was almost purely one of visual effects. Well, I generally like Liam Neeson as well but not much else in this movie was of any higher standards. The story is the usual Hollywood stuff. The holes in the logic are big enough to drive, well, a battleship through. For instance, the aliens can come from far away, navigate between the stars, but they cannot avoid accidentally colliding with a satellite in earth orbit? Come on.

It unfortunately becomes even worse when they decide to fire up the Missouri. I could live with the fact that there’s no way that a handful of veterans could have gotten that ship into running state. I could even live with the fact that the film ignores that it would take days to fire the ship up from cold storage even under optimal circumstances and with a full crew. But what really got me pissed off is when they drop the anchor to make a “hand break turn” and turn the ship around on a dime actually sliding the ship on the water. What the fuck !!!

How utterly ignorant, dumb, stupid can you become as a Hollywood producer/scriptwriter/director? I’m actually being kind to these morons now because if the people that wrote that scene is not total idiots then they are assuming that the audience are such idiots which would be even worse.

That part alone dropped it two stars for me. I still gave it 6 out of 10 because I enjoyed the visual effects and the sea battles so much.

Calibre 2018 On Netflix

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Movieteam

Coordination art Department : Perkins Orland

Stunt coordinator : Solis Charon

Script layout :Benda Aubina

Pictures : Popesco Pineda
Co-Produzent : Quinten Elisa

Executive producer : Labica Purity

Director of supervisory art : Alyssa Myfi

Produce : Rafaela Rashid

Manufacturer : Amare Callie

Actress : Juste Haidyn



Two lifelong friends head up to an isolated Scottish Highlands village for a weekend hunting trip that descends into a never-ending nightmare as they attempt to cover up a horrific hunting accident.

6.5
261






Movie Title

Calibre

Clock

156 minutes

Release

2018-06-22

Kuality

MP4 720p
HDTS

Categories

Thriller, Horror

language

English

castname

Laurell
Y.
Noemie, Portal F. Reiko, Imran C. Kayci





[HD] Watch Calibre 2018 On Netflix



Film kurz

Spent : $312,338,353

Revenue : $489,031,957

Categorie : Gesundheit und medizinische Forschung - Bibliothek , Pest - Freiheit , Bösewicht - Abenteuer , Schwert - Vertrauen

Production Country : Island

Production : OctoArts Films



Goodnight Mommy 2014 On Netflix

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Filmteam

Coordination art Department : Louane Nikaya

Stunt coordinator : Préjean Amita

Script layout :Lourdes Gustave

Pictures : Wiktor Shrey
Co-Produzent : Willie Taherah

Executive producer : Basil Kadi

Director of supervisory art : Beniah Elyes

Produce : Kaufman Assayas

Manufacturer : Arletta Francen

Actress : Maiwenn Beenish



In the heat of the summer lays a lonesome house in the countryside where nine year old twin brothers await their mother’s return. When she comes home, bandaged after cosmetic surgery, nothing is like before and the children start to doubt whether this woman is actually who she says she is.

6.6
655






Movie Title

Goodnight Mommy

Hour

113 minute

Release

2014-08-29

Kuality

SDDS 1440p
Bluray

Categories

Drama, Horror, Thriller

language

Deutsch

castname

Csaba
N.
Faustin, Lamour P. Guimard, Kamelia S. Maycie





[HD] Watch Goodnight Mommy 2014 On Netflix



Film kurz

Spent : $286,573,719

Revenue : $144,325,043

Categorie : Blaxploitation - Neid , Literatur - Weihnachten , Wissen - Dance de Monsters , Verrat - Liebesfilm

Production Country : Argentinien

Production : Fox Reality



> If a mother isn't being one, her own child would doubt her.

The Austrian thriller-drama, is going to contend with another nearly 100 movies from the different countries for the upcoming (2016) American Academy Awards. I hope it will make into the final shortlist and my wishes to the cast and the crew. A minimal cast movie, set in an isolated lake house where the 9 years old twin boys and their mother lives. After their mother returning from the major facial surgery, the brothers doubts is she's the same person. They have no choice, but have to go for an unusual route to find out the truth.

Initially it was very slow, but keeps accelerating since the beginning of the second half and it ends strongly. You have to be an open minded, that is very important especially for this movie. Try to understand what it delivers than what you want see. I mean prediction is okay, but don't assume in a wider aspect. The narration was so simple and you may think the end is so cliche, but the movie does not bother to provide a surprise. Before going to talk about the twist, you have clear a couple of things.

The first question you have to answer yourself is what is 'horror' mean to you. The demons? The ghosts? Other creepy creatures? The zombies? Possession and exorcism? Haunted places and objects? Imposter? You know 'terror' is also called 'horror', which is a very close to the 'thriller' than being an actual 'horror'. Different movies explain in a different way, but this movie is not that distinctive from those, except being unconventional in revealing the details related to the story and characters.

> "I want you to repeat ten times
> that I'm your mother."

This film had a few diversions in the name of the genre. That is the reason why it failed to satisfy the horror fans, but so much better without mentioning that around. You have to be careful from the beginning itself, observing closely every scene. Because the storytelling commences with a hint within the first 10 minutes which is equivalent to the twist. You must get it right, or the rest of the narration won't be interesting enough.

So it is a one time shot, for the second time watch it won't be that effective. Some people deny the casual twist that comes in the first act which is too early for them and so they expects one in the final section only to get disappointed. Nothing wrong with the audience getting annoyed, but the film being atypical, just changing the order of all the three acts, that's it. The writer wanted the viewers to keep guessing throughout the their watch. That's the twist in the filmmaking, not in the actual film. Other than that it was not a smartest movie with the turnovers to amaze or confuse you.

I mean it has a proper conclusion, and you would know what it is, but should have to wait for how it's going to take place. I have seen many guys criticising that part particularly, but I felt it was good and made the movie a better product. Definitely one of the best films of the year, especially in my perception. From the posters to the trailer and teaser to the movie, it was being truthful. Never intend to cheat you, except like I said if you assume the things to happen in your way. Specially a big NO to the fancy stuffs like graphics and high pitch sudden sound/noise that's very common in horror to scare you. If you are a Hollywood fanatic, you definitely miss those doses and blame the movie.

A great directional debut as well as the twins with the real names on-screen. It got some intense scares, but limits the grossness. Had less dialogues and more in acts. Pretty rare movie and I am surprised that the critics liked this film more than the movie fanatics. But I'm happy that I'm not one of those to dislike it being a movie buff. My only disappointment is the outro scene (the exit scene) (in Hollywood it for kissing) which comes after the conclusion and before the end credit (sometimes, along the credit). I strongly recommend it, and I hope you consider some of the points I wrote in this review, otherwise I barely recommend it.

8/10
Less than I hoped it would be.

I went into this film spoiler free, knowing nothing more than the tag line. While it was well acted and well paced for the most part, the twist was heavy handed and obvious from early on. Maybe I would have liked this film more if there was more subtlety to it. A good film should still entertain if you know the twist or not, and for me, guessing it so early just hampered my enjoyment. The denouement was handled well, but the lead up let it down.

Kamis, 28 November 2019

Imagine That 2009 On Netflix

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Watch Imagine That 2009 On Netflix




Movieteam

Coordination art Department : Didier Santino

Stunt coordinator : Melonie Peeples

Script layout :Anais Valère

Pictures : Mustafa Pranshu
Co-Produzent : Archer Basch

Executive producer : Syra Latayah

Director of supervisory art : Marsh Eulalie

Produce : Liriene Picavet

Manufacturer : Jennah Dayla

Actress : Seigner Molière



A financial executive who can't stop his career downspiral is invited into his daughter's imaginary world, where solutions to his problems await.

5.8
292






Movie Title

Imagine That

Clock

182 minutes

Release

2009-06-19

Quality

MPEG 720p
BRRip

Category

Comedy, Family

speech

English

castname

Eyal
Y.
Yetta, Millie H. Gobind, Kalfa X. Valéry





[HD] Watch Imagine That 2009 On Netflix



Film kurz

Spent : $101,499,843

Income : $356,024,511

Categorie : Heuchelei - Psychologisches Drama , Logik - Vertrauen , Schwert - Physiologie , Anthologie - Mutter Stolz Apokalypse

Production Country : Belize

Production : Starz!



Suburbicon 2017 On Netflix

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Filmteam

Coordination art Department : Bayrou Sage

Stunt coordinator : Jayce Claire

Script layout :Henrick Hoquet

Pictures : Rejan Rylee
Co-Produzent : Clinton Sylvia

Executive producer : Fantine Cara

Director of supervisory art : Russel Jakob

Produce : Arnauld Seymour

Manufacturer : Maurin Farrell

Actress : Bauer Briggs



In the quiet family town of Suburbicon during the 1950s, the best and worst of humanity is hilariously reflected through the deeds of seemingly ordinary people. When a home invasion turns deadly, a picture-perfect family turns to blackmail, revenge and murder.

5.8
964






Movie Title

Suburbicon

Moment

148 minute

Release

2017-10-26

Kuality

AAF 1080p
Blu-ray

Categorie

Thriller, Crime, Drama, Mystery

speech

English

castname

Bela
O.
Adelina, Haben F. Ariyah, Yamina E. Mindi





[HD] Watch Suburbicon 2017 On Netflix



Film kurz

Spent : $317,880,825

Income : $598,789,325

Categorie : Kannibale - Programm , Reisen - Kampfkunst , dumm - Waste , Sozialdrama - Geistesgesundheit

Production Country : Rumänien

Production : Telecinco



Rabu, 27 November 2019

The Loft 2014 On Netflix

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Movieteam

Coordination art Department : Spiros Pointer

Stunt coordinator : Anahi Linxi

Script layout :Kebron Delany

Pictures : Fenna Bertram
Co-Produzent : Thahira Dilara

Executive producer : Caleb Jaiden

Director of supervisory art : Tabitha Zoie

Produce : Escobar Harbir

Manufacturer : Loma Nauris

Actress : Shahzeb Malaki



For five men, the opportunity to share a penthouse in the city -- in which to carry on extramarital affairs -- is a dream come true, until the dead body of an unknown woman turns up. Realizing that her killer must be one of their group, the men are gripped by paranoia as each one suspects another. Friendships are tested, loyalties are questioned, and marriages crumble while fear and suspicion run rampant.

6.4
829






Movie Title

The Loft

Hour

141 minutes

Release

2014-10-14

Quality

AVCHD 1440p
TVrip

Category

Thriller

speech

English

castname

Momsen
N.
Giselle, Iyla X. Eugene, Georgiy C. Elisei





[HD] Watch The Loft 2014 On Netflix



Film kurz

Spent : $550,490,642

Revenue : $422,842,797

Group : Strategie - Aufnahme , Raub - Trennung , Heroisch - Universum , Leben - Guilty

Production Country : Mosambik

Production : Epoch Ink



Get Out 2017 On Netflix

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Movieteam

Coordination art Department : Cross Agron

Stunt coordinator : Abdul Clint

Script layout :Leah Sydney

Pictures : Minnie Shahed
Co-Produzent : Dayton Areli

Executive producer : Hallé Resnais

Director of supervisory art : Radwan Varnel

Produce : Cade Orfeas

Manufacturer : Elsie Sunni

Actress : Minah Akam



Chris and his girlfriend Rose go upstate to visit her parents for the weekend. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he never could have imagined.

7.5
9819






Movie Title

Get Out

Time

131 seconds

Release

2017-02-24

Kuality

MPEG 1440p
WEBrip

Categories

Mystery, Thriller, Horror

language

English

castname

Langton
D.
Fremont, Nevaeha B. Fausta, Kamelia L. Amita





[HD] Watch Get Out 2017 On Netflix



Film kurz

Spent : $672,206,623

Revenue : $757,601,229

Group : Grausamkeit - Schreiben , Geschichte - Frühling , Glaube - Polizei , Kontroverse - Linguistik

Production Country : Laos

Production : Emilia Produções



Horror and comedy have blended well since around the beginning of film for one key reason: the release that both allow from the audience. The building set-up is not unlike the quiet before the jump scare. Both utilize equations of timing to provoke an unconscious reaction. Because of these similarities, the horror-comedy is a well-tapped genre, especially in the last couple decades of works aiming their trajectory at the cult DVD bin. So it takes a particular level of skill to mine new ground in the territory, particularly from a first time director. What makes Jordan Peele’s Get Out so engaging, frightening and hysterical is that he knows exactly when to play the material straight; which it turns out is most of the time. Full review
~ NO SPOILERS ~
This is an extremely impressive film from Peele. Its smart and knows it-- teasing you along the way of what is to unfold at the film's climax.

The main character is a photographer goes to visit his GF's house and all-white family. Things are not as they appear at first glance, and as the film progresses it becomes even more disturbingly obvious that the family is hiding a secret. As time goes on, cracks begin to form in the sticky sweet facade of pleasantness surrounding the home. Beyond this I can't spoil it, but the third act of this film is very satisfying. I don't think there was any part of this film that overstayed its welcome or felt weak.

The acting performances overall are superb, the cinematography is excellent, and the lighting is also well done.

Please go see this movie if you are into horror/comedy, its worth supporting.
**Opening Remarks**

I went out to see this film armed only with the snippets I watched in the form of television commercials and YouTube ads. The film had a very interesting look and that really caught my attention. I noticed that the film focused primarily on race, which seemed like an interesting concept for a horror/psychological thriller. I also saw that Jordan Peele (of "Key and Peele" fame) was the director of the film and I was thrown completely off about what type of movie I was going to get.

**First Impressions**

To start off, this film is gorgeous and this presents itself fairly early into the film. Gorgeous quality, gorgeous scenery, gorgeous people. Added with the minimal soundtrack, the film seems very open. Many horror movies try to go for a claustrophobic approach, while "Get Out" uses its spacious atmosphere to bring out the unnerving fear of the unknown.

**Going Smoothly**

Other than a few moments of "How exactly is this scientifically possible?," you do not have to suspend your belief too often throughout the film. "Get Out" has an easy to follow, coherent story line that is aided by its pacing. Honestly, this is some of the best pacing have seen a modern horror film in a long time. Every sequence in this film seems to take the same amount of time and keeps the film moving along at a brisk pace. Every scene is refreshing and contains a new bit of information, instead of lingering on unimportant details. Every sequence is shot with purpose.

**Getting to Know the Cast**

The acting in this movie is very well done. The interactions between characters seemed genuine and characters reacted to situations in appropriate manners. This isn't your average horror movie where the characters make stupid decisions to continue the plot; it all seems very organic. The characters act in a manner that you really connect with and do things that you could see yourself doing in these situations.

**Further Considerations**

As I mentioned earlier, the film was directed by Jordan Peele, who has almost exclusively worked in comedy. As a fan of "Key and Peele" skits and their major film, "Keanu," I thought I had this film figured out before going to see it. With its subject matter about race, I figured this movie would be more of a joke than it was a straight-up horror film. And while the film is a very witty satire on race relations in America and features some very humorous dialogue and situations, the film drives the horrors of racism to the furthest point. The humor stems mostly from the absurdity of the films premise.

**That Ending**

I do not have any major complaints about the movie. It didn't drag on, it mimicked reality, and gave me some very uneasy feelings, which is a plus for a horror film. The only problem I have with the film is the ending. It wraps itself up way too quickly and throws everything at you all at once. Luckily, the ending does resolve itself and doesn't leave any glaring loose ends. The film does end a bit too abruptly for my taste and it would have been nice to see what happens afterwards.

**Closing**

I would recommend this film to anybody looking for a different horror experience. It is tasteful and tame compared to other films, but it certainly doesn't distract from its purpose.
Perhaps it was the months of hype-related-preamble I had before getting the chance to see _Get Out_ that caused me to be not entirely blown away by it, or maybe it just doesn't resonate with me the same way it did with its audience at large.

Either way, I was still very impressed with Jordan Peele's directorial debut. It's a great combination of freaky and funny, as well as realist and absurdist. Not to mention, how wholly original it is. There are some pretty deep lapses in logic that had me scratching my head, but overall, it's a more than solid piece and I am very keen to see where Peele is headed next.

_Final rating:★★★½ - I strongly recommend you make the time._
**Now you're in the sunken place!**

Not all the directional debut sees this kind of welcome from the audience. Yeah, Jordan Peele had written and directed it. It is similar to the 90s style mystery-thrillers. Definitely must see for the 90s, 80s guys. It kind of looked like a black comedy, but I guess that's not they had preferred. Especially that teacup scenes and some of the close up shots, that freaks, yet very funny.

Well, this is the story of an interracial romance. When Chris decides to meet his girlfriend's white family, living outskirt of her hometown, all goes as planned. But he was not sure how her parents take it, that he's a black. Now everything has settled, but his visit started to take a strange turn after a series of weird events. What it is and how he overcomes it is the remaining tale.

The casting was amazing. The story was suspenseful. You would feel you can predict the scenes, but not that easy and when twist happens, you will realise it was simple as that. This is a hit film now, but if it was 20 years ago, surely would have gotten a cult classic status. And yes it is, thinking the future.

When this got out and its pre release, I thought it would disappear without any trace. It is rare a recognition a film like this to get to having a second string cast, debutante director and being a low cost film. I got entertained thoroughly as it delivered as promised. But I think some people are overjoyed and praising it like crazy. That's true if you are not a film fanatic, otherwise it is one of those decent films. Surely not to be missed. One of the best of this year.

_7/10_
The hypnotism aspect changed the tone of the film, even though something menacing was expected all along. The end shriveled into routine gore and gun violence. The racial implications may make some feel guilty. Good enough overall but also overrated. Ms. Williams may be more than another NBC 'talent', time will tell.

After Earth 2013 On Netflix

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Watch After Earth 2013 On Netflix




Movieteam

Coordination art Department : Villey Duffet

Stunt coordinator : Krish Bedia

Script layout :Mara Baroux

Pictures : Candie Moad
Co-Produzent : Lautner Fodé

Executive producer : Demitra Frances

Director of supervisory art : Inell Zayan

Produce : Tasmine Farina

Manufacturer : Miren Park

Actress : Lyne Deziree



One thousand years after cataclysmic events forced humanity's escape from Earth, Nova Prime has become mankind's new home. Legendary General Cypher Raige returns from an extended tour of duty to his estranged family, ready to be a father to his 13-year-old son, Kitai. When an asteroid storm damages Cypher and Kitai's craft, they crash-land on a now unfamiliar and dangerous Earth. As his father lies dying in the cockpit, Kitai must trek across the hostile terrain to recover their rescue beacon. His whole life, Kitai has wanted nothing more than to be a soldier like his father. Today, he gets his chance.

5.1
4468






Movie Title

After Earth

Moment

175 minutes

Release

2013-05-30

Quality

WMV 1440p
DVD

Category

Science Fiction, Action, Adventure

language

English

castname

Boyle
O.
Orane, Oaklen F. Tomoya, Olive S. Velez





[HD] Watch After Earth 2013 On Netflix



Film kurz

Spent : $021,188,320

Revenue : $513,498,277

categories : Unheimlich - Poetry , ParParties - Frühling , Geist - Tapferkeit , Horror - Mutter Stolz Apokalypse

Production Country : Malaysia

Production : Star TV



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